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'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995

dc.contributor.authorCapel, Gordon Matthew Donald
dc.date.accessioned2007-09-19T13:17:35Z
dc.date.available2007-09-19T13:17:35Z
dc.date.issued2007-09-19T13:17:35Z
dc.date.submitted2007
dc.description.abstractThis thesis critically analyses music coverage in Maclean’s between 1967-1995, and reveals that the magazine continually stressed Canadian music as inferior to that produced by foreign artists. Only during times of intense nationalism were Canadian musicians positively received in its pages. More generally, domestic productions were seen as deficient. The historical components of this investigation reveal an essential irony in the perception of Canadian music during the last four decades of the 20th century. Despite nationalist rhetorics and Maclean's self-appointed title of "Canada's National Newsmagazine," its critics consistently emphasised that Canadian music was of poor quality in the 1967-1995 period.en
dc.identifier.urihttp://hdl.handle.net/10012/3254
dc.language.isoenen
dc.pendingfalseen
dc.publisherUniversity of Waterlooen
dc.subjectHistoryen
dc.subjectCanadianen
dc.subjectMaclean'sen
dc.subjectpopular cultureen
dc.subjectmusicen
dc.subjectnationalismen
dc.subjectinferiority complexen
dc.subjectironyen
dc.subject.programHistoryen
dc.title'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995en
dc.typeMaster Thesisen
uws-etd.degreeMaster of Artsen
uws-etd.degree.departmentHistoryen
uws.peerReviewStatusUnrevieweden
uws.scholarLevelGraduateen
uws.typeOfResourceTexten

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