Passing Through: An Installation of Photography
| dc.contributor.author | Hunter, Natalie | |
| dc.date.accessioned | 2013-04-30T18:54:15Z | |
| dc.date.available | 2013-04-30T18:54:15Z | |
| dc.date.issued | 2013-04-30T18:54:15Z | |
| dc.date.submitted | 2013 | |
| dc.description.abstract | Passing Through, an installation of photography, encourages the nature of memory through an engagement with the materiality of photographic images. Considering memory as an ephemeral phenomenon, I am interested in exploring the emotional and psychological affects that images have on the body and mind. Strategies of collecting and tracing are employed as a means of forming connections between people, places, materials, objects, and images. Recounting personal history, storytelling and participating in the immediate present, I actively seek out images as a means for re-experiencing memory. Triggers reveal themselves during the collection and deconstruction of both personal and found photographic material. Re-assembling this information produces an archive consisting of real and re-imagined fragments of spaces and narratives. Together, these processes produce a body of work that considers the image as an experiential entity that is inherently memory based; triggering memory to create an emotive response in the viewer. | en |
| dc.identifier.uri | http://hdl.handle.net/10012/7494 | |
| dc.language.iso | en | en |
| dc.pending | false | en |
| dc.publisher | University of Waterloo | en |
| dc.subject | Installation | en |
| dc.subject | Photography | en |
| dc.subject.program | Studio Art | en |
| dc.title | Passing Through: An Installation of Photography | en |
| dc.type | Master Thesis | en |
| uws-etd.degree | Master of Fine Arts | en |
| uws-etd.degree.department | Fine Arts | en |
| uws.peerReviewStatus | Unreviewed | en |
| uws.scholarLevel | Graduate | en |
| uws.typeOfResource | Text | en |