The Story of Tiles and Ropes In-Between

dc.contributor.authorPirazimian, Azadeh
dc.date.accessioned2025-05-23T19:05:05Z
dc.date.available2025-05-23T19:05:05Z
dc.date.issued2025-05-23
dc.date.submitted2025-05-16
dc.description.abstractThe Story of Tiles and Ropes In-Between explores migration, in-betweenness, and resilience of a female body through installation, sculpture, video, poetry and performance. Using clay and jute—materials tied to memory and place—the work navigates themes of fragmentation and reconstruction. Walking is an integral focus to this body of artwork, serving as both method and metaphor in navigating identity in the diaspora. Influenced by theorists like Homi Bhabha and Gloria Anzaldúa, the work engages with the third space, where hybridity and transformation unfold. Through movement, sound, and material, the work redefines home as a fluid, evolving state rather than a fixed location.en
dc.identifier.urihttps://hdl.handle.net/10012/21778
dc.language.isoen
dc.pendingfalse
dc.publisherUniversity of Waterlooen
dc.subjectMigrationen
dc.subjectDisplacementen
dc.subjectResilienceen
dc.subjectHybridityen
dc.subjectThird spaceen
dc.subjectAutotheoryen
dc.subjectWalking as arten
dc.subjectFemale bodyen
dc.subjectSounden
dc.subjectDiasporaen
dc.subjectHomeen
dc.subjectInstallationen
dc.subjectPerformanceen
dc.titleThe Story of Tiles and Ropes In-Between
dc.typeMaster Thesis
uws-etd.degreeMaster of Fine Arts
uws-etd.degree.departmentFine Arts
uws-etd.degree.disciplineFine Arts (Studio Art)
uws-etd.degree.grantorUniversity of Waterlooen
uws-etd.embargo.terms0
uws.contributor.advisorMacDonald, Logan
uws.contributor.advisorVidekanic, Bojana
uws.contributor.advisorCouto, Joan
uws.contributor.affiliation1Faculty of Arts
uws.peerReviewStatusUnrevieweden
uws.published.cityWaterlooen
uws.published.countryCanadaen
uws.published.provinceOntarioen
uws.scholarLevelGraduateen
uws.typeOfResourceTexten

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