Ceramic 3D Printed Plant-Centric Architecture

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Date

2024-08-29

Advisor

Zhang, Linda

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University of Waterloo

Abstract

This thesis utilises clay 3D printing to create ‘plant-centric architecture’, a concept defined by the author that aims to apply architectural design principles to methods of designing for plants. Traditionally valued for their aesthetic and psychological benefits, indoor plants are often objectified in contemporary architecture, serving as mere decorative elements rather than living organisms with intrinsic needs. This objectification reflects a broader trend in architectural practices where natural elements are manipulated to fit human desires, often at the expense of plant health and sustainability. On the other hand, hydroponic farming systems, which emphasise plant needs and maximise growth productivity, typically lack the aesthetic considerations of traditional architecture. Plant-centric architecture seeks to bridge this gap by promoting a harmonious environment where the symbiosis between human and plant needs is architecturally envisioned and realised with ceramic 3D-printed design. Clay is historically significant for its material qualities and aesthetic appeal, often used at a range of design scales from building facades to flowerpots. 3D printing technology has revolutionised the design use of clay, creating intricate and functional designs catering to plant and human needs. By merging traditional craftsmanship with contemporary design, this approach aims to create environments that honour the vitality of plants, enhancing their health and sustainability while contributing to enriching spatial experiences for humans. This thesis explores and evaluates the potential of architectural clay 3D printing in developing plant-centric architecture through iterative prototyping. By leveraging scientific understandings of plant architecture with iterative ceramic 3D printed prototyping, this work has the potential to set a new standard in architectural design for plants. The work envisions fostering spaces that nurture both plants and humans, initiating a new dialogue on the future of posthuman architectural design.

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