Performing the Forbidden Public Space: the Case of the New Clock Tower Square in Homs, Syria
| dc.contributor.author | Mourad, Laila | |
| dc.date.accessioned | 2023-05-23T14:35:46Z | |
| dc.date.available | 2023-05-23T14:35:46Z | |
| dc.date.issued | 2023-05-23 | |
| dc.date.submitted | 2023-05-28 | |
| dc.description.abstract | Public spaces in Syria have been controlled and militarized for a long time, even before the revolution of 2011. In the city of Homs, however, during the revolution's early days, thousands of people poured into the New Clock Tower Square for the largest anti-regime protest in the history of the ruling Ba’ath Party. In this sense, two different performances have been happening in the same square: the performance of the Syrian state to control and oppress the protest and the performance of the people to revolt and resist the state and its regime. This research spatially investigates and documents how the square suddenly shifted from a controlled space to a space of protest and expression, particularly on the 17th and 18th of April 2011. In the city of Homs, the Syrian state used architecture and the urban fabric to perform controlling measures on the people, such as acts of destruction, neglect, renovation, and state-led developments. These acts also meant to instate political homogeneity that aligned with the regime’s sect, the Alawite sect, which also served their economic interests. These acts started before the revolution and were one of its triggers, putting the building market and the historic city center in the hand of the Syrian regime and those affiliated with it from the Alawi sect. Therefore, occupying the New Clock Tower Square in the city center by the people is considered a statement to challenge the state, reclaim the square, and assert their right to the city. In this thesis, I investigate the duality of performance in the New Clock Tower Square using architecture and urbanism. Building on Judith Butler’s seminal theory of performativity and through mapping, morphological analysis, and archival research, the thesis attributes the conflict of performance to the square’s importance as a physical and symbolic space. The thesis argues that the connectivity and centrality of the square and its collective memory, starting from resisting the French Mandate in 1920 until this day, prompted the state to act in one way and the people to act in another. In the context of this complex socio-political, spatial, and national juxtaposition, the thesis highlights the role of architecture in meaning and identity politics in being an agent for change. | en |
| dc.identifier.uri | http://hdl.handle.net/10012/19466 | |
| dc.language.iso | en | en |
| dc.pending | false | |
| dc.publisher | University of Waterloo | en |
| dc.subject | Public, Politics, Performativity, Performance, Conflict | en |
| dc.title | Performing the Forbidden Public Space: the Case of the New Clock Tower Square in Homs, Syria | en |
| dc.type | Master Thesis | en |
| uws-etd.degree | Master of Architecture | en |
| uws-etd.degree.department | School of Architecture | en |
| uws-etd.degree.discipline | Architecture | en |
| uws-etd.degree.grantor | University of Waterloo | en |
| uws-etd.embargo.terms | 0 | en |
| uws.contributor.advisor | Robert Jan Van, Pelt | |
| uws.contributor.advisor | Jaber, Anwar | |
| uws.contributor.affiliation1 | Faculty of Engineering | en |
| uws.peerReviewStatus | Unreviewed | en |
| uws.published.city | Waterloo | en |
| uws.published.country | Canada | en |
| uws.published.province | Ontario | en |
| uws.scholarLevel | Graduate | en |
| uws.typeOfResource | Text | en |