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dc.contributor.authorDi Giacomo, Joel Michael
dc.date.accessioned2015-05-21 15:01:29 (GMT)
dc.date.available2015-05-21 15:01:29 (GMT)
dc.date.issued2015-05-21
dc.date.submitted2015
dc.identifier.urihttp://hdl.handle.net/10012/9380
dc.description.abstractWhat does it mean to have a transcendent experience, and what does architecture have to do with it? What is ineffable space? Philosphers such as Martin Heidegger and Gaston Bachelard would argue that a true, meaningful human existence can only be found at the threshold between the known, ordered, limited world, and the unknown, chaotic, unlimited world, where the two worlds are one, connected and indistinguishable. The question this thesis poses is what role architecture might play in activating this threshold, in engaging the unknown, in experiencing the sublime. It will investigate this by examining a series of sublime encounters and attempting to express them in architectural form.en
dc.language.isoenen
dc.publisherUniversity of Waterlooen
dc.subjectSublimeen
dc.subjectNuminousen
dc.subjectArchitectureen
dc.subjectArten
dc.subjectBeingen
dc.subjectSemblanceen
dc.subjectNothingen
dc.subjectCattelanen
dc.subjectStetsonen
dc.subjectViolaen
dc.titleBeing: At The Thresholden
dc.typeMaster Thesisen
dc.pendingfalse
dc.subject.programArchitectureen
uws-etd.degree.departmentSchool of Architectureen
uws-etd.degreeMaster of Architectureen
uws.typeOfResourceTexten
uws.peerReviewStatusUnrevieweden
uws.scholarLevelGraduateen


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