Show simple item record

dc.contributor.authorBreton, Nicholas
dc.date.accessioned2013-05-22 19:39:43 (GMT)
dc.date.available2013-05-22 19:39:43 (GMT)
dc.date.issued2013-05-22T19:39:43Z
dc.date.submitted2013-05-14
dc.identifier.urihttp://hdl.handle.net/10012/7548
dc.description.abstractThe Gesture and the Drip investigates our increasing reliance on digital media as a means to encounter and view art works online as photographic documentation. This body of work attempts to place significance on the human gesture in relation to the loss of the human presence that often accompanies digital documentation. The gesture is a reoccurring element that can be traced throughout my thesis body of work. Occasionally, gestures are tactile marks made by my hand and in other cases they are the result of photographic reproduction, silk-screened onto the surface. A paradox is formed between the real and illusion that are interchangeable on the canvas. My paintings encompass authentic and mediated gestures to challenge the visual experience and disrupt a logical reading.en
dc.language.isoenen
dc.publisherUniversity of Waterlooen
dc.subjectPaintingen
dc.subjectThe Gesture and the Dripen
dc.titleThe Gesture and the Dripen
dc.typeMaster Thesisen
dc.pendingfalseen
dc.subject.programStudio Arten
uws-etd.degree.departmentFine Artsen
uws-etd.degreeMaster of Fine Artsen
uws.typeOfResourceTexten
uws.peerReviewStatusUnrevieweden
uws.scholarLevelGraduateen


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record


UWSpace

University of Waterloo Library
200 University Avenue West
Waterloo, Ontario, Canada N2L 3G1
519 888 4883

All items in UWSpace are protected by copyright, with all rights reserved.

DSpace software

Service outages