Singing and Making the Inflection
Loading...
Date
2016-06-17
Authors
Xu, ZiCheng
Advisor
van Pelt, Robert Jan
Journal Title
Journal ISSN
Volume Title
Publisher
University of Waterloo
Abstract
In my left hand I hold a thin piece of scrap wood about the length
of my forearm. In my right hand, a chisel-ground knife called a
kiridashi. I push the knife into the wood, and I observe the shaving
extend out and curl outward. This thesis is simultaneously a search of the meaning in that
inflection initiated in wood, and an exploration of a way to continue
that inflection. As I continue working the inflection of curling
wood, I begin a process of making. First whittling pieces of wood,
then making spoons and bowls, then making carving tools, then
making copper-working tools, then making copper bowls and
dishes, and finally renovating a tea pavilion which I built several
years before. However, I am interested not so much in the process
of making as I am in the process of remaking. As I carve the recess
of a bowl, or hammer a curve into the cutting edge of an adze
iron, I am not investigating the making of that object in isolation,
but instead interpret the act of making that particular thing as an
act of remaking the original inflection I first observed in a curling
shaving of wood. I owe the conviction and patience needed for this thesis greatly
to my studies in music. It prepared me for the slow and intuitive
process of remaking.
Description
Keywords
Making, Remaking, Tools, Music, Singing, Inflection