Fine Arts

Permanent URI for this collectionhttps://uwspace.uwaterloo.ca/handle/10012/9878

This is the collection for the University of Waterloo's Department of Fine Arts.

Research outputs are organized by type (eg. Master Thesis, Article, Conference Paper).

Waterloo faculty, students, and staff can contact us or visit the UWSpace guide to learn more about depositing their research.

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Browsing Fine Arts by Subject "21st century"

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    Any other name would smell as sweet
    (University of Waterloo, 2020-05-05) Matheson, Tyler
    Any other name would smell as sweet is an exploration of personal and shared experiences of feeling queer. This exhibition serves as an aesthetic and material investigation of the performativity of othered bodies, identities, and visibility. The process of becoming and adapting to surroundings is conceptually and experientially present in my work. When creating installations, I employ mirrors and queer-coded reflective materials. By choosing materials that have the visual capability to shift and transform their appearance depending on the viewer’s body and position in relation to the work, I create a spatial dynamism where each individual's experience is uniquely their own—where the viewer and the work are reliant on each other. In this codependent performance, the gallery becomes a site where viewers can be projected into queer liminal space—a bridge between worlds.
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    Condemned to a Perpetual Jacuzzi… With Millions of Your Best Friends
    (University of Waterloo, 2020-05-21) Witt, Kayla
    Condemned to a Perpetual Jacuzzi… With Millions of Your Best friends is a multi-media exhibition that investigates the personal, the socio-political and the cultural notions of home. The mind’s vision of home is most often held as an idealized place – the location where meanings and attachments are personal and symbolically intense. Forms of utopian thinking are embedded as the very cornerstone of what the home represents, especially in contemporary media iterations of the home. My work grapples with the lived experience and materiality of the home by redrafting the imagery presented in Interior Design and Architectural publications. Through collage, painting, video and performance to camera I subvert the structured and predictable media’s language of desire by creating unusual viewing. At first glance, my work appears “homey”, as the magazine source material is evident, but as details register and accumulate, it becomes apparent that there is a tension between comfort and discomfort in the images. There is disruption and unpredictability in these inaccessible, aspirational spaces. You wouldn’t actually want to live there even though it feels like you might.