Martens, Tess2018-05-222018-05-222018-05-222018-04-27http://hdl.handle.net/10012/13337My thesis exhibition, 1,2,3,4, consists of four performances: Announce It!, A Second Hand Emotion, Slow Change and Portrait-Self-Portrait. The performances will take place on scheduled days at the University of Waterloo Art Gallery throughout the duration of the exhibition. 1,2,3,4, is also a multidisciplinary project, as each performance produces leftovers that will remain installed in the gallery. In addition, the title, 1,2,3,4, references the counting and chanting used in various sporting practice sessions. The installation evolved through the use of remnants of the props, materials and detritus from each performance. The act of preserving the leftovers of each performance serves as both a reminder of each action, as well as a form of documentation. I invite the audience to become witness to, and in some cases also actively participate in my performances. I ask audience members to be a witness to a juxtaposition of empowerment and vulnerabilities within the framework of how I use my body as a tool to produce works. I think of my performances as empowering, comedic, and, at times even tragic. Although these acts are intensely personal, they are open enough to allow witnesses to bring their own experiences to the performances.enperformance artfeminismbodyMaster Thesis