Now showing items 10-29 of 74

    • The Chicken Is Just Dead First 

      Rowe, Racquel (University of Waterloo, 2021-04-30)
      My thesis exhibition encapsulates my lived experience as a Black woman from Barbados who moved to Guelph, Ontario at eighteen. My studio and artistic research is focused on the ways that food, ritual, hair, and colonialism ...
    • Collective Case Studies 

      Beniston, Susan (University of Waterloo, 2009-02-20)
      This paper is intended to serve as a supporting document for the exhibition Collective Case Studies that was held in The Gallery, at Sheridan College Institute of Technology and Advanced Learning. In Collective Case ...
    • Condemned to a Perpetual Jacuzzi… With Millions of Your Best Friends 

      Witt, Kayla (University of Waterloo, 2020-05-21)
      Condemned to a Perpetual Jacuzzi… With Millions of Your Best friends is a multi-media exhibition that investigates the personal, the socio-political and the cultural notions of home. The mind’s vision of home is most often ...
    • Cul-de-sac Island 

      Stewart, Jordyn (University of Waterloo, 2019-05-13)
      Cul-de-sac Island is a multimedia installation that combines personal research, lens-based strategies and performative re-enactments to camera that engage in a self-reflective investigation of identity, place and territory. ...
    • Customer Service 

      Allaby, Patrick (University of Waterloo, 2019-04-29)
      Customer Service is a half-hour storytelling performance that uses PowerPoint and drawing to discuss my experience working at a call centre in Moncton, New Brunswick. The performance uses this autofictional narrative to ...
    • dollhouse: An Exhibition of Installation 

      van Milligen, Carol-Anna (University of Waterloo, 2016-05-17)
      "dollhouse" is a dreamy, peachy, pretty little private space saturated with sickly sweetness. The installation consists of three rooms built inside the shell of a 1971 Airstream trailer, filled with objects, forms, and ...
    • Drawing Lines 

      Raciborski, Monika Julia (University of Waterloo, 2008-05-22)
      My work uses process as a course of action that marks the death of moments through a continuous stream of consciousness. I metaphorically link disparate pieces of information to the human condition in order to present ...
    • Dup-boug-a-dad 

      Thomas, Aislinn (University of Waterloo, 2016-05-16)
      Dup-boug-a-dad is a video installation that is curious about different ways of being in the world. Its form and content address the body and some of the many ways of being bodied. In parts intervention, documentary, document, ...
    • Eternal Recurrence: String Theory 

      Rizzo, Richard Joseph (University of Waterloo, 2007-05-15)
      The work in this exhibition is the result of philosophical contemplation and the concepts that followed from these moments. The moment that we find ourselves conscious, the moment in which we inhale or exhale is the focus ...
    • An Exhibition of Painting, Sculpture and Video 

      Baker, Charles (University of Waterloo, 1997)
      This M. F. A. thesis exhibition consists of painting, sculpture, and video completed over the last five months. In support of the exhibition, an artist's statement outlines my exploration of the interaction between ...
    • Flat Places and Dynamic Spaces 

      Olley, James (University of Waterloo, 2008-05-06)
      As found in modern art and architecture during the 1950’s and 1960’s, North Americans were conditioned through advertising and media to adopt modernism as a new and better way of life. Modernist styles such as Abstract ...
    • forms of relief 

      Pearson, Sara (University of Waterloo, 2022-01-19)
      I am calling this paper, and the body of work that it supports: forms of relief. The word relief has a couple of meanings: in the sculptural sense, the Latin root word relievo means to “raise or to lighten”, visually ...
    • Four Corners Gateway 

      Martinello, Linda Clementina (University of Waterloo, 2012-05-09)
      Though an installation, the exhibition Four Corners Gateway, examines how history and memory construct us as individuals and construct our national and personal identities and worldviews. All such constructions are ultimately ...
    • Fragmenting the Landscape 

      Roznowski, Joanna (University of Waterloo, 2008-05-09)
      My paintings are done from my memory of nature experienced at different moments in time and place in Canada and Europe, discovered during my frequent travels. Colour, light, movement, smell and sound recalled in memory, ...
    • Galore: And Exhibition of Drawings 

      Born, Shauna (University of Waterloo, 2012-05-18)
      'Galore' is a series of drawings that celebrate the urge to reproduce and multiply ‘beauty’. Working from a collection of appropriated photographs, I have produced a suite of small-scale ballpoint pen drawings that explore ...
    • The Gesture and the Drip 

      Breton, Nicholas (University of Waterloo, 2013-05-22)
      The Gesture and the Drip investigates our increasing reliance on digital media as a means to encounter and view art works online as photographic documentation. This body of work attempts to place significance on the human ...
    • Heavy as a Cloud 

      Williams, Amber Lee (University of Waterloo, 2022-08-18)
      Heavy as a Cloud is a collection of phenomena that alludes to the fragility and transience of life; clouds drifting away, waves rolling in, flowers fading in the sun, a lingering fragrance, and crumbling sandcastles. Using ...
    • I Have No Home But Me 

      HU, WANZHI (BRUBEY) (University of Waterloo, 2020-05-15)
      I Have No Home But Me explores themes of home and duality through personal narratives embedded in my paintings and artists’ books. A duality that exists within a body does not necessarily exist as a pair of oppositions. ...
    • In Places Rarely Seen 

      Blackburn, Jordan (University of Waterloo, 2021-05-25)
      In Places Rarely Seen is an interdisciplinary exhibition bringing together print installation, video, photography, sound and text. This thesis exhibition considers my own shifting perception of what Nature is and how I ...
    • Instruments 

      Nelson, Sasha Lee (University of Waterloo, 2010-08-11)
      The Instruments installation represents the superimposition of two systems. The marketed elements that comprise the hegemony exerted by commodity culture are placed on top of the occult qabalistic Tree of Life. This ...

      UWSpace

      University of Waterloo Library
      200 University Avenue West
      Waterloo, Ontario, Canada N2L 3G1
      519 888 4883

      All items in UWSpace are protected by copyright, with all rights reserved.

      DSpace software

      Service outages