Now showing items 1-6 of 6
Rhetorics Rising: The Recovery of Rhetorical Traditions in Ralph Ellison's Invisible Man and N. Scott Momaday's House Made of Dawn
(University of Waterloo, 2006)
This study suggests, through a rhetorical analysis of the role of orators and oration in Ralph Ellison's Invisible Man and N. Scott Momaday's House Made of Dawn, that literature can be a valuable resource for the study of comparative and contrastive rhetoric; conversely, it also demonstrates that a knowledge of culturally-specific rhetorical and narrative practices is important for understanding ethnic-American novels and their social significance. Written during periods of intense racial upheaval in the United States, Invisible Man and House Made of Dawn are, to use a term coined by George Kennedy, metarhetorics: works that explore, from cross-cultural and intercultural perspectives, the ends and means of rhetoric and the ways in which rhetoric is linked to the formation of individual, ethnic, and national identities. This exploration is undertaken through the diegetic rhetoric of the novels, the depiction of rhetorical practice within their fictional worlds. Ellison's young orator, who vacillates between accommodationist, communist, and African American vernacular rhetorics, and Momaday's alienated protagonist, who is healed through the postcolonial rhetoric of a Peyotist street preacher and the ritual rhetoric of a displaced Navajo chanter, both illustrate how the recovery of traditional rhetorical practices is an integral part of cultural empowerment. The interaction of culturally-specific systems of rhetoric is also embodied in the extradiegetic rhetoric of the novels, the means by which the novels themselves influence their readers. Central to the novels' own rhetorical effectiveness is their authors' strategic appropriation of modernist techniques, which allowed the works to negotiate multiple literary traditions or social contexts, to penetrate and transform the American canon, and to accommodate and affect readers from a broad range of cultural backgrounds....
Mapping the Genres of Healthcare Information Work: An Interdisciplinary Study of the Interactions Between Oral, Paper, and Electronic Forms of Communication
(University of Waterloo, 2006)
Electronic Patient Records (EPRs) are becoming standard tools in healthcare, lauded for improving patient access and outcomes. However, the healthcare professionals who work with, around, and despite these technologies ...
Inhabiting the Page: Visual Experimentation in Caribbean Poetry
(University of Waterloo, 2006-12-18)
This project explores visually experimental poetry as a particular trend in Caribbean poetry since the 1970's. Although visual experimentation in Caribbean poetry is immediately recognizable – for example, its play with ...
"Drawn towards the lens": Representations and Receptions of Photography in Britain, 1839 to 1853
(University of Waterloo, 2008-12-09)
This dissertation studies the earliest years of photography’s invention. Attention to the earliest conceptions of photography reveals a more complex and contested understanding of the nature and significance of photographic ...
The Expendable Citizen:Patriotism, Sacrifice, and Sentiment in American Culture
(University of Waterloo, 2007-12-18)
This study argues that the American citizen’s choice to perform or not perform sacrificial national duties has been heavily mediated by sentimental representations of sacrifice in popular narratives. Through an analysis ...
An Eurhythmatic Response to Adaptive Accrual: A Rhetoric of Adaptation
(University of Waterloo, 2008-01-21)
This dissertation applies to the study of adaptation principles of rhetoric, transtextual analysis and visual semiotics. It posits that adaptations are imitations-with-variations and that rather than existing in binary, ...