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dc.contributor.authorSvec, Henry Adam
dc.date.accessioned2020-06-23 20:29:27 (GMT)
dc.date.available2020-06-23 20:29:27 (GMT)
dc.date.issued2020-06-19
dc.identifier.urihttps://doi.org/10.1080/19376529.2019.1678163
dc.identifier.urihttp://hdl.handle.net/10012/16013
dc.descriptionThis is an Accepted Manuscript of an article published by Taylor & Francis in the Journal of Radio & Audio Media on June 19 2020 available online: https://doi.org/10.1080/19376529.2019.1678163en
dc.description.abstractThis essay explores the radio program Randy’s Vinyl Tap, which is hosted by Randy Bachman and airs on CBC Radio 1 (2005-present). I argue that the show’s complex reception can be explained, in part, by the fact that it transgresses dominant conceptions of authenticity in both rock music and public broadcasting discourses. Drawing on the work of Mikhail Bakhtin, I explore ways in which Bachman evokes a “carnivalesque” approach to public communication.en
dc.language.isoenen
dc.publisherTaylor & Francisen
dc.subjectauthenticityen
dc.subjectrocken
dc.subjectmusicen
dc.subjectpublic broadcastingen
dc.subjectCBCen
dc.subjectcarnivalen
dc.titleTaking Care of Authenticity on the CBC’s Randy’s Vinyl Tapen
dc.typeArticleen
dcterms.bibliographicCitationHenry Adam Svec (2020) Taking Care of Authenticity on the CBC’s Randy’s Vinyl Tap, Journal of Radio & Audio Media, 27:1, 25-38, DOI: 10.1080/19376529.2019.1678163en
uws.contributor.affiliation1Faculty of Artsen
uws.contributor.affiliation2Communication Artsen
uws.typeOfResourceTexten
uws.peerReviewStatusRevieweden
uws.scholarLevelFacultyen


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